RSA Roundtable 7th March 2012 Notes
Attendees
John Aspill Liminal State Theatre
Sharon Canning Ermine Street Project
Phil Cosker Lincoln Arts Trust Ltd
Richard Erwin-Jones Cultivate
Tom Freemantle Woodard Schools Group
Simon Hollingworth Lincoln Drill Hall
Charles Kenyon
Elaine Knight artsNK
Nigel Lowthrop Hill Holt Wood
Craig Morrow LPAC
Vanessa Rawlings-Jackson Cultivate
Caroline Southard
Peter Robinson RSA
Claire White West Lindsey District Council
Thirzah Wildman University of Lincoln
Reasons for coming to the event:
See what regional meetings are like - Fundraising for small charities
Their role is to promote arts scene in North Kesteven
- How can Private companies & Local authorities build on private giving
How philanthropy can work in programming
Encouraging support for arts funders
Crowdfunding – buzzbank.org
Creativity and arts. Connecting business with arts – bring this attitude to funding
How to demonstrate social impact and justification for the arts
- How to change the thinking
ROI – philanthropic investment - Crowd funding for artist studio
Making things happen with funding - Plaque schemes
Looking for philanthropists
Provocation
UK arts is predominantly funded through the public purse
- Example: 48% public funds; 48% income; 4% giving
Importance of relationship with Philanthropist
Affinity with giver
Collaborative working
- Open communication as demonstrated in Lincoln
- Santa Fe Model –New Mexico Museums Foundation http://www.museumfoundation.org
- Santa Fe – 3500 members $30 each
- Circles of givers, across area and amount given
- Option to specify area of interest
- How could this work?
- Possible cross-organisation fundraising
- Common mission of consortium
- Needs agreement on how it will work
- Geographical pulling together
- Scale – small organisations working together
- Clear purpose – members or friends of consortium
- How can resources be pulled together?
- Lack of philanthropy in regions
- Is there any point of Philanthropy in regions?
- All happening in London?
- 81% of private giving in London
- Pilot analysis on propensity to give
- Indicated geographical affinity areas – and effect on strategy
- All chasing same pound?
- Now sharing data
- Pull together expertise
- What we don’t know?
Definition of Philanthropy
- Love of mankind
- People give to the people
- Issue chasing funding
- Connect benefactors – put in touch
- Not faceless form filling
- Bad at asking
- US – get your cheque books out
- Sponsorship too transactional
- Friends schemes
- Who you know – right people
- ‘LOVE’ – example – small organisations together – collective
- Social ROI
- How do you articulate message?
- Heart strings
- Can the arts do it well?
- Resources – how much have you brought in?
- Time effort instead of cash
- Role of volunteers – calculate cash equivalent
- Give, get or get off
- Pilot social accounting
- Stories – life changing amounts
- 500 reports distributed
- Investment house
- Money ‘sweating- sustainable
- Define the offer and the return
- Keep the offer open – negotiate; be flexible
- MMM now looking at investment funding
- Trading arm
- Need to have a clear elevator pitch, keep it fun
- Philanthropy is about ‘Getting a reward on earth’ & ‘Gift to myself’
- Calculate the value of volunteers
- Cause – central lobby
- Geographical - different causes
- Globe Theatre had a successful campaign with Woodland Trust
Ethics
- Losing control
- Political issues
- Robust policies – ethics committee
- Associations with regimes
- Drug company investment
- Concerns around Art reflecting the investment
- Legal
- RSC – turned down cigarette sponsorship
- Nottingham Playhouse – concerns around Brewery sponsoring
- How much can you know about a giver?
- Holistic investment
- Rich patrons
- Capturing attention
- Conscience money
Small Gifts
- Crowd funding typically up to 2k
- 6% success rate on email requests to mailing list
- £10 gift, £20 gift, invitation to launch parties, credit on site etc
- Love of mankind
- When does fundraising stop and philanthropy start?
- Fundraiser for a charity
- PO4 – US school funds
- Tax breaks? Could they work like in US
- US community system – what makes America different? Historically everyone gave
- UK – new money not used to giving
- The Ask – confidence
- Givers not aware of the causes
- Elevator pitch – need a hook
- Big givers – float in same circles
- How do you break social barriers?
- New wealth – Victorian times
- Arts is a creative medium
- so be creative in raising funds
- Passion, focus and ingenuity
- Edinburgh – raised money for statue of a poet
- Connection – communication – not a cold call – what’s the hook
- Identify donors who give to London but live in your part of the country
- Ask for publicity after they have given – to encourage others to give.